Pound for pound, paint is the cheapest transformation a home can get.
Painting a 1920s Art Deco Apartment, Oakland, 2010
Pound for pound, paint is the cheapest transformation a home can get. This apartment — about 600 square feet in a 1920s Art Deco building on 6th Avenue in Oakland — is a good example: no new floors, no new fixtures. Just color, and the preparation that makes color look right.
The starting point
The walls were covered in an “asylum white” gloss: the hard, shiny white that shows every flaw and makes a room feel institutional. The plan was a warm desert sand on the walls, with robin’s egg blue around the trim to bring out the building’s period details.
High-end paint, found secondhand
The paint was premium Ralph Lauren, bought used on Craigslist. Good paint doesn’t have to cost full price — leftover and overstock cans turn up all the time. What matters is checking it first: that it was never frozen, that it hasn’t skinned over or separated past saving, and that it’s stirred thoroughly (and strained if needed) before it goes on a wall.
Prep is most of the job
Holes and dings were patched with spackle and sanded flush. Switch plates, outlet covers, and hardware came off; whatever couldn’t come off was taped, along with every edge. Old gloss is a poor surface for new paint to grip, so it was scuffed and primed before any color went on — and primer is worth it any time the color change is this big, bright white to sand. Then finish coats until the color was even from corner to corner.
Taking the time
The whole apartment took about a week, and that pace is deliberate: one job at a time, with working days short enough that the last wall gets the same care as the first. Between coats the rooms were left empty and ventilated, so the paint could dry without dust, foot traffic, or lingering fumes.
Why the colors work
Sand is a soft, muted orange; robin’s egg is a soft blue — near-complements on the color wheel, both kept light. That pairing gives contrast without fighting, and light colors keep a small apartment feeling open. In an older building, crisp lines where the two colors meet at the trim are what let the architecture read. The point of this job was attention to detail.


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